Major themes in rear window. REAR WINDOW (1954) PART TWO: THEMES AND IDEAS 2019-02-19

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Themes and plot devices in Hitchcock films

major themes in rear window

Jeff's Camera Symbol Jeff's camera is a symbol of the emotional distance he puts between himself and those on the other end of the lens. The Oxford English Dictionary, however, credits Hitchcock's friend, the Scottish screenwriter Angus MacPhail, as being the true inventor of the term. Voyeurism can also be seen in the work of Jack Tti in Playtime or a Indie film called K is for Knell presented here. Even though voyeurism is an act that should not be done, this film portrays it in an affirmative way. Hitchcock thought that this idea of developing a song as the movie progressed was a failure. The 39 Steps - The main character is mistaken for a government spy.


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The Importance of Set Design In Hitchcock’s Rear Window

major themes in rear window

Miss Torso looks devastated at the death of the dog, for example, and Miss Lonelyhearts tells the discouraged songwriter that his music saved her life. Lonelyhearts is an old, single woman who seemingly failed to attract a man into wedlock during her prime years. Loneliness Many of the characters in Rear Window feel lonely over the course of the film, often in their most private moments. The Lodger, one of Hitchcock's earliest films, features a serial killer who stalks blonde women. On the other hand, Lisa is also a very assertive and independent figure. Watching a limber young woman cleaning seems like a very stereotypical sight for the male gaze. Thorwald are obviously the worst-case scenario.

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Analysis of Themes in Rear Window

major themes in rear window

These motifs contribute to and enhance the plot of the film. The first of his most famous films, with Vertigo, North by Northwest, Psycho and Birds to follow successively in the nine years to come. It also represents Hitchcock's own camera, which enables the audience's voyeurism. The Thorwalds were the main couple that over analyzed. Advertisement The man is a famous photographer named L.

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THEME: What Ties it All Together

major themes in rear window

The theme, however, is subtle. GradeSaver, 23 September 2016 Web. Today I will be be presenting a critical view of Rear Window directed by Alfred Hitchcock in 1954. Zooming, pans and jump cutting allow the one set used in the film to create a dynamic understanding of the neighbourhood. Black Panther broke conventions about what a comic book should look like by delving into deep social and political themes while staying true to its Marvel Cinematic Universe roots.

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Analysis of Themes in Rear Window

major themes in rear window

We actually feel a little sorry for this sad, quiet man. The above image is a good example of all of these technical elements working together. That is, she seems to love Jeff for no apparent reason despite his indifference to her, and she becomes invested in the Thorwald case only when Jeff takes an interest in it. I just feel the hour and a half straight of literally nothing happening to be a bit excessive. The set altogether is said to have cost 25% of the budget compared to 12% for the actors. This utilitarian approach is evident in the way these scenes are filmed. In Rear Window, the apparently disjointed string of events is held together through this theme, which furnishes it with unity.


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Rear Window and Gender Roles

major themes in rear window

What would it feel like to see him in a bizarre and twisted light? He was unconcerned frankly wanted her to leave. I just think that the story is so strong, it gets lost in the background. Sometimes, the prudish conventions of his era caused him to convey sexuality in an emblematic fashion, such as in North by Northwest, when the film cuts abruptly from two aroused but visually chaste lovers to a train entering a tunnel. Like Hitchcock does with his audience, Jeff is using his photographic tools to misdirect and manipulate Thorwald. This display of gender roles is best understood through the appreciation of the relationship between the main characters L.

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12 Thrilling Facts About Rear Window

major themes in rear window

When Lisa becomes the subject of the gaze, then, and only then, is Jeffries attracted to her. Lisa's love and devotion isn't enough for him; his stubbornness keeps him emotionally distant from her, just as his camera keeps his neighbors at arm's length. Once the nagging begun he decided he was no longer happy. It is said that the designers even matched the size of the windows to the aspect ratios of film. However because of the singular point of view of the cinematography this film would not work in a theatre environment. Like Jeff, Capa was a photojournalist who lived in Greenwich Village.


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Hitchcock’s Rear Window (1954): The Limited Perspective of the Voyeur

major themes in rear window

Alfred Hitchcock's main theme in Rear Window is that people over analyze relationships too much. Only seconds later did Jeffries receive the phone call. Although there could be seen to be a division on the set of what is viewed and where the viewer sits, as Lisa represents a dominant independent woman and Miss Torso the typical passive female role. I just want to leave with one question. The couple on the fire escape seem to be perfectly in sync with each other. When Jeff is looking through all of those windows, it is like he is watching his own series of private movies. Hitchcock used montage in many of his films, but never so completely as he does here.


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Rear Window

major themes in rear window

This entry was posted in on by. Pure cinema is montage, the joining together of pieces of film and creating an idea. Here is what Hitchcock had to say about Miss Lonelyhearts color palette: Miss Lonelyhearts always dressed in emerald green. This time, he begins to show us many of the characters we will encounter throughout the film. I can see why it would be one of your favorites.

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THEME: What Ties it All Together

major themes in rear window

Rios introduces the reader to two young boys who have just entered junior high and are suddenly met with drastic change. Then the camera does another, even slower counterclockwise revolution of the courtyard. Another person that over analyzed her relationships was Mrs. In The Man Who Knew Too Much 1956 , James Stewart plays an ordinary man from Indianapolis vacationing in Morocco when his son is kidnapped. He is not introducing us to characters yet, he is just giving us the lay of the land.

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