He chooses the easy course. Speaker is traveling in the dark with some special purpose. The deer turns out to be pregnant and this fact plays on the mind of the helper, who wants to keep the road safe yet cannot stop thinking about the fawn, still warm inside the mother. While his article examines the role of surrealism in this poem, this lending of human characteristics to nature and machines and the reverse as well is part of the surreal quality of the poem. Hence, second stanza is the description of physical actions. In short, Young presents a very broad scope in his discussion of this poem and he looks at the vast nature of the message he suggests Stafford is trying to convey. The narrator thought deeply and finally concluded that the body cannot be left like this as it may cause more accidents and deaths.
It is usually best to roll them into the canyon: that road is narrow; to swerve might make more dead. In short, Judith Kitchen assists the casual reader of this poem to see past the conversational style and into the more metaphorical and implicit meanings of what seem like blunt word and image choices on the part of Stafford. Is the driver hesitating because he's thinking about a rescue? The doe has been killed by some other car in the first place. As he touches the deer, he realizes her belly is warm which meant one thing, she was pregnant. The poem is a metaphorical disclosure of the necessity to take immediate actions rather than observe. William Stafford based his poem on an actual incident which he was involved in on the road in Oregon state one time. More importantly, it also reveals the situations immediate decisions and actions are signifiers of morally justified choice.
Though the plot is quite simple for understanding, it enables readers conceive how a person acts and behaves while encountering challenging situations as well as what the speaker feels while depriving deer of life. Physical actions of the second stanza continue in the third also. In the next stanza of her poem, Maya Angelou uses comparisons to depict a certain situation that she wants to show. He used this experience to try and work out in the poem just exactly what his role should be. In short, Young presents a very broad scope in his discussion of this poem and he looks at the vast nature of the message he suggests Stafford is trying to convey. All content submitted here are by contributors. After all, they are not rational beings.
But the speaker is adamant that the fawn will never see the light of day - stanza one confirms this fact - yet there is hesitation as the fate of that fawn is held alone in the mind of the driver who cared enough to stop. Or has he been made to swerve himself because of the negligence of others? The large belly of the doe can mean only one thing. The duty to find out ways to stop animals being a nuisance lies on human. Thus, when Maya Angelou said that she walks like she has oil wells inside her living room, the reader. To sum up, the poem reveals many darkness such as physical darkness, moral darkness, emotional and reasoning darkness through the beautifully interweaved words into narrative and stative stanzas by both mental and physical actions. The speaker contemplates thinks deeply the possible course of action to be taken on behalf of his group members human beings as regards to the dead doe, and finally throws it into the river.
By glow of the tail-light I stumbled back of the car and stood by the heap, a doe, a recent killing; she had stiffened already, almost cold. Stafford is heartbroken but still by the means of his poem he wants the reader to understand the ill-effects of technology if it is not handled properly. Traveling Through the Dark: William Stafford - Summary and Critical Analysis In this poem Traveling Through the Dark the poet William Stafford describes how he was moved by the death of a pregnant doe when he was driving a car along the mountain road at night. कविताको शीर्षकको व्याख्या गर्नुहोस्। अध्याँरोमा यात्रा गर्नेहरु को हुन् Answer: Literally, those travelling through the dark are the people who are travelling at night. In the first instance, neither the speaker nor the car swerves, because if that was done, there would be more casualties on the narrow mountain road besides the dead pregnant doe. The reader understands that the car symbolizes man's world, technology.
It is important because there is a part of life that they should continue their journey. Just as a king should not misuse his power over his subjects, similarly human beings should not misuse their power. His mind is filled with mixed-up emotions: pity, anger, frustration, and confusion about how to act. Otherwise, ignorance and failure to make an immediate decision can be fraught with serious consequences and, therefore, acting correctly and in accordance with moral and ethical implications is a duty of each individual in the world. When the narrator runs into the dead deer, he thinks about how it is usual to roll them over the edge of the Wilson River road. In the second stanza, the speaker stumbles back, goes up to her and drags. The E-mail message field is required.
With its four quatrains and closing couplet, the poem resembles an extended sonnet and reads like one. Despite his difficult choice, the speaker still realizes the sacredness of life. Description: 94 pages ; 20 cm Contents: Traveling through the dark -- In medias res -- Elegy -- A stared story -- Thinking for Berky -- With my crowbar key -- The thought machine -- Mouse night: one of our games -- Parentage -- The research team in the mountains -- Holding the sky -- The job -- Prairie town -- Tornado -- Conservative -- The woman at Banff -- The Tillamook burn -- The old Hamer place -- On quitting a little college -- Reporting back -- The poets' annual indigence report -- In response to a question -- With one launched look -- B. Has he been this way before and found a run over animal? You have to depend solely एकमात्र on the lights of your car. He pauses his traveling through darkness — his typical not noticing — for a thoughtful contemplation that he has been forced into by circumstances.
There is no one to give birth to it. We think he will rescue the unborn baby, but he doesn't. Question-Answers Of 'Travelling Through The Dark': Question No. Throughout the poem, Stafford embeds internal rhymes or echoing sounds as well, subtly delivering an underlying lyricism that does not call too much attention to itself; instead, the words almost come across as delivered in natural speech. In the poem, the speaker did not ignore the situation and decides to act immediately in accordance with moral and ethical decisions.
The Duke wants to see his wife behaving in a way. He knows that his delay is only a waste of time, so he pushes the doe into the river and marches towards his destination. The car aimed ahead its lowered parking lights; under the hood purred the steady engine. After a thorough analysis of the poem, it is possible to deeper understand the role of human deeds as well as their readiness to participate rather than to observe. The car becomes a being, with red lights and exhaust, like a demonic breath, the driver turning red as he decides what to do. He is in confusion either to show deep love and emotion to an unborn but alive fawn in the belly of the doe or to save the passengers on his car as a dutiful driver.
The speaker, as Kitchen suggests, is almost afraid to utter strong words and he skirts around things he might otherwise say in a more blunt fashion, as would fit with the conversational tone of the poem. Eventually he pushed the deer over the edge of the mountain into the river. Making a choice is always a real challenge for the speaker leading him to the analysis of the meaning of darkness, which is often associated with uncertainty, ambiguity, and the unknown. But as is the case with many a local issue, there is a universal point to be made. The color red surely suggests the blood of the deceased deer, and the car is symbolic of technology. So he thought it was best for the deer to move into the gorges formed by the river. I thought hard for us all—my only swerving—, then pushed her over the edge into the river.